This
past Tuesday, it was my very great privilege to experience, for the
first time in over 20 years, one of the true classics of Disneyland's
live entertainment traditions: the Main Street Electrical Parade!
Yes,
I had seen the iteration that appeared for a few summers in
California Adventure...but it wasn't right,
you know? I'm not talking about the digitally remastered soundtrack,
revised floats, or even the fact that they had Tinker Bell in the
lead instead of the Blue Fairy. It was that it was supposed to be the
Main Street Electrical
Parade. The full name was fundamental. Transplanting it to a park
without a Main Street couldn't help but cheapen it a little...and
that's not even taking into consideration the awkward changes to the
recorded introduction.*
Now—for
the time being—the Electrical Parade has come home. It's about damn
time.
But
what is it that makes this parade so beloved? There is no shortage of
awesome parades in Disneyland's history, from timeless charmers like
the Christmas parades to audaciously hip experiments like Totally
Minnie or The World According to Goofy. What is about this
one that makes it the darling of veteran parkgoers such as myself? It
can't just be that it's the park's most long-lived parade, because it
wouldn't have been allowed to run so long if it hadn't been a major
hit in the first place. The Main Street Electrical Parade is a
Disneyland institution,
as much as Space Mountain or “it's a small world” or complaining
about how long the lines are. All those years it was absent felt more
like a mistake than like normal parade turnover.
Anything lampooned by The Simpsons is a cultural institution by definition. |
Ultimately,
I suspect there's a reinforcement cycle at work here. When the
Electrical Parade debuted, it was striking enough to gain an
immediate following, and unique enough that the Powers That Was were
in no hurry to attempt a replacement. So it stayed around long enough
to cement it in people's minds as a Disneyland staple, and you don't
get rid of staple attractions unless your name is Paul Pressler.
Eventually its original fans got to show it to their kids, and it
became a fully intergenerational thing.
As
for why the Electrical Parade took off in the first place...just look
at it:
There's
something inherently compelling about masses of individual colored
lights, isn't there? It's probably part of why people look forward to
Christmas so much. Nowadays, elaborate holiday light displays are
fairly common, but back in the Seventies when the Electrical Parade
premiered, they definitely were not. A spectacle of that scope, shown
off not just in December but throughout the year/summer, must have
seemed like an extraordinary luxury—a luxury that only
Disneyland could provide.
And
of course, the Main Street Electrical Parade was and is unique in
another way: It plays fast and loose with the imagery of the films it
represents. Haven't you ever found it a bit odd that—to take what
is perhaps the most prominent example—the Alice in
Wonderland unit includes so many
mini-floats of bugs and snails and turtles, when bugs and snails and
turtles don't really feature in the movie itself? Since when is the
Blue Fairy** as tall as a house? Why is there a humanoid lion playing
the organ in Dumbo's circus?*** All of this works to make the parade,
in a sense, the live entertainment equivalent of classic dark rides.
It has lots more to offer than just standard images from the films it
riffs on.
Its
unusual format has also made it easy to adjust over the years, giving people something new to look forward to. Any
movie could be the basis for an Electrical Parade unit, as long as it
has at least one recognizable image to cover with lights for a float,
and music that can be remixed with “Baroque Hoedown.” And indeed,
there have been a number of temporary units in the past. Those of us
who acquired the CD soundtrack (bundled with the soundtrack for
Fantasmic!) will at least be familiar with the music for the Return
to OZ unit. I've seen photos of
a temporary unit promoting The Fox and the Hound,
and I vividly remember one for “it's a small world” that only
consisted of a few handcarts with the iconic dolls on them. (There
were also actual floats for it at one point, but apparently there was
a fire? And they had to reduce it to just the hand trucks.) Important
anniversaries like Mickey's 60th
birthday and Disneyland's 35th
have also been so honored.
Strangely
enough, even though the original run of the Main Street Electrical
Parade overlapped with the first half of the Disney Renaissance, none
of those eminently successful movies received temporary floats.
(Instead, more than one of them got an entire daytime parade, all to
itself.) That was a great period of innovation not just in Walt
Disney Animation but in Disneyland as a whole, so we oughtn't
complain about the Electrical Parade being allowed to rest on its
laurels for a while before it was discontinued. But it does enhance
the nostalgia factor of the parade, particularly for people of my
generation, whose adolescence,
rather than our childhood, corresponded with the Renaissance.
I
am a child of the Eighties. Throughout most of the Eighties, Disney
was still trying to claw itself out of the Dark Age precipitated by
Walt's death. Animated film production had slowed to a trickle, and
what was being produced was mostly...not very memorable. It was
generally agreed that the age of true classics—the ones we would
consider worthy of permanent attractions in Disneyland—was over.
There was a standard, fixed set of movies that were considered “good
Disney,” and those were the ones reflected in Fantasyland
rides...and in the Main Street Electrical Parade. The Renaissance
upended this assumption—for the better, don't get me wrong—but it
means that there is a stark divide between theme park entertainment
from before 1989 and that which came after, and those of us who were
on the cusp of adolescence at the time are straddling it. For us, the
Electrical Parade is a throwback to the “old” Disney and the old
Disneyland—i.e. our actual childhoods. For those younger, it sure
is pretty but maybe its age is showing. It doesn't even have Ariel in
it.****
This
sense of belonging to an earlier era might be why Management decided
to phase out the Main Street Electrical Parade in the late Nineties.
The animation studio was charging ahead, so the parks had to follow
suit. Fair enough, but they underestimated how attached people were
to the Electrical Parade. The first attempt at a replacement was
Light Magic, which was very poorly received and lasted only a year or
two. I never wound up watching that one, even on video. They
experimented with running the Electrical Parade in California
Adventure, and with just running an additional showing of the daytime
parades after sunset. It wasn't until 2015 that they came up with a
new nighttime parade that a majority of guests actually accepted.
Maybe it had been long enough that we were feeling starved for
something sparkly to cruise down Main Street after dark, or maybe
it's just that we had a whole generation that had grown up without
the Electrical Parade and wouldn't judge Paint the Night for not
being it. Regardless, Paint the Night is a success, and the only
reason we got a revival of the Main Street Electrical Parade is that
its successor had to take a hiatus in order to fix some safety issues
with the costumes and choreography. (It turns out that when you strap
several pounds of electrical equipment to people's bodies and have
them gyrate enthusiastically, it's hell on your worker's comp
premiums.)
So
enjoy the Electrical Parade while it lasts, because as welcome as it
is, it won't last forever and we don't know when it will return
again. But judging by the delight its reappearance has garnered from
both nostalgic fuddies-duddies like myself and new discoverers, it
won't stay away forever.
It
never does.
*
You can't just substitute words without regard for cadence or indeed
syllable count, Disney.
Or should I say, Disssneeeeyyyy.
**
She's not in the current version of the parade. But she used to lead
it, and she was such a big deal that they had her lead a couple
parades that came much later.
***
It was King Leonidas from Bedknobs and Broomsticks.
And no, I don't know why they did that.
****
Seriously, Ariel is in like every parade since 2000 or so.
I kinda' wish we had the funds to go down to Disneyland just to watch the Main Street Electrical Parade where it belongs. I've seen it in DCA and in WDW, which is the closest I've gotten to watching it in its native habitat, but I'd love to see it back home.
ReplyDeleteI think you hit most of the right things in your assessment. It has genuine spectacle and warm reminiscence, but in addition, it has a folksy charm inherited from its vintage. Paint the Night is... okay... I guess... I don't know, I didn't really like it because it's just too much. TOO bright, TOO loud, TOO many LED screens, trying TOO hard to be hip and exciting... The Main Street Electrical Parade gets the balance just right, just like a well-done Christmas tree. One doesn't necessarily want an overdone, hip, too flashy Christmas tree.
To be fair, when it was new, the MSEP *was* the hip, exciting, overly glitzy high-tech thing. But people loved it, and it became the benchmark.
DeleteActually, the biggest complaint I usually hear about Paint the Night regards the theme song, Owl City's "When Can I See You Again?" It's "too contemporary," they say, and not quaintly charming like "Baroque Hoedown" (which was of course chosen for its timelessness, back in the early Seventies when the Moog synthesizer was a new invention).
Maybe MSEP's folksy charm is like a patina :)
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