At
the base of the sprawling magnolia tree out in front of Pirates of
the Caribbean is a massive ship's anchor. I am very sorry not to have
a photo I can show you, because it's quite striking. It appears to
have lain there for quite some time—the tree is slowly enveloping
it and the metal is rough with corrosion. Oddly enough, the anchor's
rope is still attached, in perfectly fine condition, and if you
follow it up through the branches of the tree and then over, you'll
find that it originates from...
...Tarzan's
Treehouse. Which was, of course, built from the wreckage of a ship.
This
is one of those Disneyland details that I find absolutely
enthralling—a literal connection
between two entirely different attractions in two different lands,
whose only real point of similarity is the presence of sailing ships.
There is an excellent symbol-logic to it: the one thing these two
attractions have in common, the thematic bridge between them, also
serves as a physical
bridge between them. It's almost mystical,
isn't it? One can easily imagine a dream-scenario in which the themed
lands are more profoundly separated than they are in fact, with no
linking walkways, but the anchor rope remains and serves as the
functional
bridge between New Orleans Square and Adventureland—a reward for
those daring enough to walk a tightrope or swing hand-by-hand
underneath. What other surprising connections might or should exist
in such a fanciful version of the Happiest Place on Earth?
Are
you with me so far? Now for the real question. Why is no one else
talking
about this stuff?
The
Disney theme parks fandom is unlike any other I have ever
participated in. As a group, we don't really behave like fans.
We behave like art/literature critics, dissecting the tropes used in
attraction narratives and judging their effectiveness against some
elusive, probably imaginary “objective” standard. We also behave
like art/literature historians, obsessively cataloguing the
accomplishments of individual Imagineers and sussing out where and
how they were inspired (when it's not abundantly obvious). We behave
like technology reviewers, gauging whether the features of new
releases are sufficiently cutting-edge and comparing them, favorably
or unfavorably, to past versions. And all of that is fine, because we
are, in part, all of those things. Theme parks are complex
interweavings of a multitude of arts and sciences, completely
understood only in relation to each other. Moreover, the
live-and-in-person interactivity of a theme park enables us to engage
with its fiction on more levels than a typical film or novel.
So...why
don't
we engage with the fiction of Disneyland more often? The
well-designed attractions invite, nay, beg
us to create our own stories within their worlds, and we give them
the highest of praise for it...so where are
those stories? Where is the Jungle Cruise fanfiction? Where are the
self-insert Country Bear OCs?* Where is the rampant speculation about
how Frontierland, Main Street, USA, and Tomorrowland represent the
same
town in three different time periods? Oh sure, we indulge our
creativity left and right, but nearly always in the literal context
of theme park design: we make up attractions that we wish existed. It
is as if Harry Potter fans never wrote fanfiction, only
chapter-by-chapter outlines of hypothetical further novels in the
series, complete with cover blurb, recommended typeface, and brief
descriptions of the cover design and chapter header images...but none
of the actual prose.
I'd
like to see some prose. I'd like to see this fandom really blow the
lid off the potential for Disney theme parks to inspire. This is not
a demand for existing members of the community to produce—if that's
not where your imagination takes you, then it's not where your
imagination takes you (the Muse can be coaxed, never forced)—but it
puzzles me as to why we don't seem to attract more people for whom
that is one of their creative strengths.
It's
not that the fields are entirely fallow. You can find a fair amount
of, for instance, Haunted Mansion fanfiction if you know where to
look...but most of it doesn't feel at all like the ride. A typical
story is just the backstory for an OC ghost, brimming with angst**
and tragedy (since it's the story of an untimely death), with the
Mansion itself involved only at the end when the unfortunate spirit
arrives there to stay. Leave out that ending, and you'd never know
where the author got their inspiration. That's not...bad,
per se, but I can't help but think it's a little disingenuous to call
something Haunted
Mansion
fanfiction when the Mansion's presence is so tangential.
Then
there are the stories that openly take place in the theme parks, but
treat their existence as
theme parks completely literally, without further commentary—the
fiction equivalent of our Armchair Imagineering, as it were. Often
these stories focus on Disney film characters. Some of them are
actual published novels
endorsed by the Walt Disney Corporation. I tend not to find these
very satisfying either—they seem to take for granted the “Space
Mountain and Mickey Mouse” view of the parks that I dissected last
week.
Only
once in a while do I find something just
transformative enough to really scratch the itch. That's when I tend
to make an It
Came From the Fandom
post...of which there have been a total of six
so far, so clearly it's a rare situation. And maybe the reason for
that is that...it's hard. I've tried myself to create the sort of
thing I crave, and found it to be a difficult balancing act—taking
the parks seriously
without taking them too literally,
exploring the possibilities suggested by the gaps in worldbuilding
without wandering off into something unrecognizable.
But
I hope that by calling attention to this strange blind spot in our
fandom, I have inspired some of you to try walking the tightrope with
me. Maybe we'll get from the base of the one tree to the top of the
other as a team.
*
OC = Original Character. That I feel I need to point that out,
instead of safely assuming my readers are all familiar with the term,
just goes to show how odd
this fandom is.
**
To be fair, most fanfiction is like this regardless of the source
material.
Everyone who looked could see there was a undeniably, ravenous animal attraction between Henry and Teddi.
ReplyDeleteNo one could deny it.
No one except Teddi and Henry, that is.
They seemed blissfully unaware of their attraction to each-other. Unaware of their boundless uncontrollable lust.
Every time they met they didn't show it, but everyone knew. Everyone knew what was really going on between them.
A war of lust.
- Thank you, Fanfic Maker :D
*raises eyebrow*
DeleteI suppose it *would* partially explain matters if this community collectively held the very idea of fandom, fanfiction, etc. in contempt.