Imagineering Theory: Blending Themes

Last week's post included a link to FoxxFur's amazing article about border areas at Disneyland and how gracefully or ungracefully (usually the latter, though not necessarily to the park's detriment) the Imagineers manage the transitions. If you didn't read it then, I urge you to do so now, as it is a scrupulously well-documented analysis of design details you probably never noticed before, even though the whole point is how much they stick out compared to their equivalents in Magic Kingdom.

But it got me thinking: Could the transitions be made less awkward?* Perhaps the main reason Disneyland has so many abrupt boundaries between themed lands is the lack of space for subtle “fade” effects, but here's the thing: themes are not particulate. They can be tweaked and blended. I doubt if there are any two themes or genres in all imagination that are so dissimilar that they have no points in common and no potential to be hybridized.

So this post is my attempt to do that with all the border areas at Disneyland—all the places where two or more themes collide. It probably wouldn't be possible to retrofit the actual Disneyland with these ideas, so this is more of a what-if exercise.

Before I really get into it, I want to review my base material: what are the themes that need to be blended? This is not an exhaustive analysis of all the themes and sub-themes in Disneyland, just a quick summary. The nuances will be addressed when I start looking for ways to remix them.

Main Street, USA: A small American town around the turn of the 20^th Century. Except for the period setting, about as “generic” as can be.

Adventureland: Tropical wilderness, barely explored by Westerners.

New Orleans Square: New Orleans ca. 1925 or so, plus supernatural elements. Say, is “historical urban fantasy” a thing? I feel like it should be.

Critter Country: Rural/wilderness area inhabited by anthropomorphic animals.

Frontierland: The Old West—settlers, “cowboys and Indians,” all-American wilderness, fairly realistic.

Fantasyland: Fairy tales and magical children's stories, especially if they've been made into animated Disney movies.

Mickey's Toontown: The Golden Age of cartoons.

Tomorrowland: Futurism and science-fiction.

Now, let's see what kinds of stews we can make from these ingredients!

Armchair Imagineering: Disneyland Tribute Parade

I haven't talked much on this blog about the massive celebration Disneyland held for its 50^th anniversary, dubbed the Happiest Homecoming on Earth. Some, but not much.

It was really, really awesome. Sleeping Beauty Castle was decked out with jewels, banners, and five gorgeous crowns on the turrets, each representing a different decade of Disneyland history. Those who enjoyed “find them all” type games had no fewer than three to dive into, one involving photomosaics built from photos sent in by guests, one involving mouse-eared “50” logos, and one involving pressed pennies. There was a retrospective film with Steve Martin,* and the best fireworks show ever.** It was so memorable and, dare I say it, magical that...I... mayhavewrittenfanfictionaboutit.

There was also a parade.

I'm not saying Walt Disney's Parade of Dreams was bad, but when put up alongside the other Golden Anniversary offerings, it was...too normal, maybe? Except for the first and last units, which popped in appropriate ways, it was a pretty standard 21^st Century Disney parade: about half a dozen floats referencing different animated movies, accompanied by appropriately costumed dancers. Every so often, they would remember why they were there and have a “show stop” involving golden flags and a new cover of the song “Welcome” from Brother Bear.***

It's almost like two parades were cut in half and mashed together: a conventional parade promoting popular movies, and a really unique one for the 50^th anniversary. And I just think that for such a momentous occasion, the whole thing should have been unique. Should have been about Disneyland, like the fireworks were.

There was certainly precedent. The Silver Anniversary, in 1980, featured both a parade and a live stage show that celebrated the park in a land-by-land fashion. And you know me—I'm all about those themed lands. So consider this the parade we should have gotten for the Happiest Homecoming...with a bonus feature of also being applicable to any park anniversary...or just in general. Disneyland shouldn't need an excuse to celebrate itself.

Any similarities with the 1980 parade are, believe it or not, purely coincidental. But also pretty much to be expected.

Armchair Imagineering: Let's Play Some Games!

Consider this a follow-up to last week's post about the singular Legends of Frontierland.

Legends was, for all intents and purposes, a LARP.* It was free to play and almost entirely freeform, with potentially infinite complexity once you got past the simple surface mechanic. It was group-oriented and loaded with continuity. The reward for playing was the game itself. And it garnered an adoring consistent player group.

The Adventureland Trading Company, operating at the same time, was almost entirely its opposite—pay-to-play, revolving around standalone prefabricated tasks comparable to scavenger hunts. There were no consistent characters to interact with; in fact you hardly had to interact with anyone in order to do it. The reward for completing each task was a nice little iconic souvenir. I didn't try this one, but according to those who did play, the souvenirs are great value for the cost, and you got the satisfaction of “winning” them, not merely buying them.

Each was well suited to its setting, of course—on the one hand, people coming together to community-build with few resources besides the various skills they brought with them, and on the other, individuals exploring in search of rare prizes. You might think of the two games as the ends of a spectrum...at least, it's hard to envision a game being more extreme in any particular and still being a viable theme park activity. So perhaps obviously, ever since the summer of 2014, I've occasionally wondered what games for Disneyland's remaining themed lands might potentially be like. Which lands are better suited to something in the Legends mold and which would be better served by something modeled more after Trading Company? What other permutations of basic game features would be possible? Is the Dilettante going to answer any of these questions, or is she stuck in rhetorical mode again?

Wait, what?

Kidnap the Magic: A Themed Party Masterpost

With a new year comes new calendars...and for many people, the activity of marking off portions of them for holidays and vacations. It is the former that concerns us today.

Under my Kidnap the Magic tag, I have offered several ideas for party themes based on Disneyland attractions, most of them keyed to specific holidays or seasonal events. It's been quite a while, because I ran out of suitably thematic holidays well before I ran out of possible themes. But I still want to fill in those gaps, hence this post: a one-stop shop for all your basic guidelines for planning themed parties based on the Happiest Place on Earth.

For each area in the resort, I'll outline a few different aspects. Themes refers to party themes, not park themes, and basically boils down to which section(s) of the big-box party store you should scour for decorations and the like. These are often seasonally specific, but no worries—it's not unusual to be loved by anyone for a large store to stock some of everything year-round, and a whole lot of whatever is coming up soon on the calendar. Food and Music should be pretty self-explanatory. And finally Disney Movies you can tap for imagery, party entertainment, or other inspiration, covering not just those movies which actually tie in to the local attractions, but also those with a similar setting or vibe. Unusually for me, I'll address both animated and live-action films, because not to do so...would be pretty silly, as we'll see.

Armchair Imagineering: Halloween Music Loops

As the Halloween season gets into gear, I naturally start thinking about how Disneyland could improve their Halloween offerings. If you've been following me for a while, you might remember this post. Or perhaps not. Either way, this week I've decided to focus on an element of seasonal theme parkery* that I only touched on back then: music loops.

The great majority of themed areas in the Disneyland Resort include some sort of background music loop that can be heard throughout all or part of the area. During the winter holiday seasom, AKA “Christmas,” several areas play a special seasonal loop in lieu of the normal one. So with Halloween becoming as big a deal as Christmas in terms of decorations, live entertainment, etc....why not shore it up with music?

Part of the problem, of course—maybe the biggest part—is that there isn't a lot of immediately recognizable “Halloween music” out there. Sure, there are a few hits that all the radio stations play in October—“Monster Mash” by Bobby Pickett, “Thriller” by Michael Jackson, and “Dead Man's Party” by Oingo Boingo being some of the most noteworthy—but nothing like the dozens of standard Christmas hymns and carols, which get covered and re-arranged into every conceivable musical genre so that no theme park music designer could fail to find what they're looking for.

So is this a fruitless project, then? Of course not. I would hardly have taken it far enough to post if it were. While the “canon” of Halloween music is very slim indeed and might seem too contemporary for the various historical and fantastical realms present in Disneyland, a little research turns up dozens of songs about ghosts and goblins, witches and vampires, and assorted things that go bump in the night, going right back to the Jazz Age and even earlier.

So here, in (relative) brief, are some ideas for music that could be used to enhance Disneyland's Halloween seasonal flair!

Imagineering Theory: The Art of Placemaking, Part 1

So a couple weeks ago, I was not entirely critical of the announced plan to remake Paradise Pier into “Pixar Pier.” Even though I assume this will ultimately end up meaning “basically the same thing but with pictures of characters everywhere,” it at least has the potential to wind up marginally more interesting than what we currently have, which is perhaps best described as “I dunno, carnival rides and stuff—hey look! Mickey Mouse!” I know there's supposed to be some sort of “Victorian seaside amusement park” motif going on, but honestly? It doesn't come across that well. It's going to be hard to convince me that it's the 1890s while simultaneously going “Hey look! Mickey Mouse!”

But let's be real for a moment here...unless I have radically misunderstood John Lasseter's intentions, “Pixar Pier” is not, by any stretch of the imagination, a proper area theme. It occurs to me that one of the problems with current design directions in the Disney parks is that a fundamental misunderstanding of what area theming is, has taken root among both designers and fans. People have somehow gotten the idea that area theming is nothing more than some rides that are placed close together and have something in common (and that “something” can be nothing more than a brand).

But it's not, is it? Proper area theming is sometimes referred to with another word: placemaking. I have never seen this word used in any other context and have no idea when or by whom it was coined, but it's such a perfect encapsulation of what good area theming does: it makes a place. And I believe that the success or failure of a themed area as a whole hinges on whether or not guests a) recognize that place, and b) consider it a good place to be, outside of the attractions.

Can we get any additional insight by examining the existing themed areas of the Disneyland Resort and seeing how they hold up? Well, there's only one way to find out, isn't there?

The Second Sense: A Disneyland Playlist, Part 2

The mission: To assemble the perfect Disneyland playlist, referencing every themed land and major attraction, using only songs and instrumental music that a relative newbie to the hobby would be able to readily find. There's no need to dive into limited-edition multi-disc park soundtracks, the “Disneyland Forever” archives, or the murky depths of torrent streaming.*

Last week, I covered Main Street, USA and Adventureland. This week...the mission continues!

Beyond Blue Sky: Collectible Disneyland Minifigs, Part 2

Last week, I had a purely self-indulgent post where I imagined a wave of Collectible LEGO Minifigures consisting of Disney film and TV characters representing the themed lands of Disneyland. This week, I continue to pamper myself by imagining a wave of Collectible LEGO Minifigures consisting of characters more specific to Disneyland: characters originating in the Disney theme parks, prominent Cast Member concepts, and even a few guests.

I suppose a reiteration of the rules is in order here:

• I have to come up with 18 concepts for minifigs.
• There will be two minifigs per land (including the upcoming Star Wars area—although I had to break this sub-rule last time), one male and one female.
• Each minifig must have an identifiable connection to the land where I assign them, not just fit in a general thematic sense. This should be easier to manage here than in last week's project, since I'm using characters specific to the parks.
• Each minifig must be original. Last time, that meant no repeats of characters who have already been made into minifigs. This time, it's going to be even harder; LEGO has produced minifigs for a vast variety of themes over the years, many of which cover similar ground to the themed areas at Disneyland.
• Not a rule as such, but more of a consideration—when crafting the character set last week, I made sure to think about the desires of LEGO collectors and Disney fans who aren't so interested in the parks per se. In other words, even though my goal was a minifig set specifically tied to Disneyland, I wanted it to be something that people outside that narrow fandom could enjoy on its own merits. I'm aiming for the same thing with this one—these should be minifig concepts that anyone can find a use for.

Think I can do it again? Let's find out!

Beyond Blue Sky: Collectible Disneyland Minifigs, Part 1

I'm going to talk about LEGO again. If that's not your thing, please examine the sidebar for other websites you might enjoy for the next two weeks.

Remember last year when I was getting all excited about LEGO minifigures of Disney characters and the Cinderella Castle set and the prospect of more theme park sets to come?

Well…we haven’t had any more theme park sets, but the character minifigs were enough of a hit that we expect to get another wave of them. The speculation about which characters will be included in Round Two has been madder than a Tea Party…but you can probably guess where my mind is going in all this. As long as we're going to have collectible Disney minifigs...why not collectible Disneyland minifigs?

Think they wouldn't sell? I beg to differ. I can't really think of any minifigure concept that is so specific to Disneyland as to hold no interest for the adult LEGO fan community at large. “Disneyland minifigs” potentially fall into two main categories: 1) Disney characters, which have already proven their appeal, and 2) general characters, whose potential appeal can be demonstrated by...basically all the other non-licensed waves of collectible minifigures.

To further illustrate what I mean, I offer this hypothetical set of minifigs designed to satisfy fans of both Disneyland and LEGO, so that the true breadth of their appeal will be evident.

In fact...I'm going to offer two sets: one for each of the two main categories mentioned above. I'll cover the pre-existing Disney character this week and the others next week.

Kidnap the Magic: The Art of the Disneyland Font (Part 1)

I've been wanting to do a post about fonts for quite a while. They're such amazing bits of software—negligible in size, easy and quick to install, and then you can open any word-processing program on your computer and type fancy letters! Or even pictures! Just type them!

Why now? Firstly, why not now? Secondly, the holiday season typically involves greeting cards and party invitations, and the creative among us might like to design our own instead of buying pre-made ones. And supposing your party and/or greetings are Disneyland themed? Hopefully, you will find this brief guide enlightening.

There are thousands upon thousands of individual fonts available for completely free download online. The really high-quality ones cost money, but unless you're looking to do professional-grade work, freeware usually suffices. A simple Google search for “Disney fonts” yields good results if your primary interest is films and characters—and there's certainly enough of that to go around in the theme parks—but “Disneyland fonts” is a less fruitful endeavor.* A few specialist websites such as The Disney Experience and Mickey Avenue are invaluable, but the fact remains that you're almost more likely to stumble across an incredible gem while browsing through a massive general archive, than searching for one specifically.

The long and the short of it is that only a handful of lettering styles specific to Disneyland attractions (or best known in that context) have been created as fonts for general use by the public. But most of the park signage actually uses pre-existing typefaces, many of which have been adapted into freeware versions.** This is where the aforementioned Mickey Avenue really shines. And when it comes to bringing across the atmosphere of a given land or attraction, it’s more about the type of lettering you use.

Thousands upon thousands. This is going to be fun.

Unauthorized Fun: Hidden Mickeys

You don't hear as much about Hidden Mickeys as you used to. Hunting down these subtle images of or references to Mickey Mouse placed around Disney theme parks used to be a major pastime of Annual Passholders and other major fans, but the furor seems to have died down. In all probability, the phenomenon was a victim of its own success—it caught on to the extent that several guidebooks were published, taking away much of the joy of discovery. It's hard to get excited about a “secret” that a million people are privy to by virtue of having spent twelve dollars on a book. Not to mention, having access to such resources sped up the process immensely. Many people probably feel there's no point in continuing to look once you've gone through the entire list.

I still find some entertainment value in seeking them out, possibly because I eschew those same guidebooks. For one thing, it's impossible for them to stay up-to-date—a waggish Cast Member can create a new, semi-permanent Hidden Mickey in a matter of minutes, while a minor renovation can obliterate a long-standing one in a day. No book can come out with new editions that fast. For another thing...even to the extent that they are current, I find such books a little untrustworthy—there is too much of a tendency to take fan consensus for granted instead of “vetting” individual Hidden Mickeys for plausibility.

Beyond Blue Sky: Disneyland Alignment Chart

Please bear with me; I've gotten into a weird mood and I'm short on ideas again.

In your online travels, dear reader, you may occasionally come across a peculiar graphic: a three-by-three grid, each square containing a picture of a person or character or something, and each labeled with a two-adjective phrase, the phrases arranged such that each square in a given row or column has one word in common. At least nine times out of ten, the words so mixed and matched will be: Lawful, Chaotic, Good, Evil, and Neutral. The other ten percent of the time, a different pattern will be followed…but Neutral will always be included. Run into enough of these, even if you never see one using characters you recognize and have no idea what is up with this funky Punnett square, and you will likely come to the conclusion that, okay, this is a thing. A meme of some kind. Okay, whatever, the internet is weird.

At the risk of outing myself as an even bigger nerd than you probably already thought I was, I would like to inform you that this is what’s known as an alignment chart, and has its origins in…get ready…

Beyond Blue Sky: Wicked Kingdoms

One oft-repeated wish in the Disney theme park fandom is for some permanent attraction based on the Disney Villains brand. A Villains ride, or a Villains land (often envisioned as an offshoot of Fantasyland)...sometimes even an entire Villains park, with themed areas based around individual members of the brand.

On the whole, the conceit seems to be the result of Disney's own relentless trend toward character branding running smack into the young adult taste for the dark and edgy. Most Disney animation showcases pretty black-and-white morality, and if the good guys come across as unappealingly twee (as they often do, thanks to child-oriented marketing efforts), there's only one place left to go.

To be honest, I don't think a Villains-themed area, ride, or park would really work. Disney Villains is very much like Disney Princess—a marketing brand that involves characters from several different movies but keeps them rigorously separated instead of allowing true crossover interaction. With Disney's theme parks in thrall to its branded IPs, I can't see the Imagineers being allowed to do anything really satisfying with the concept. Something like Princess Fantasy Faire squeaks by because its target audience is fairly undiscriminating about these things. I doubt the fans wishing for a Villains attraction would be content with a collection of meet-and-greet spots.

On the other hand, there's all kinds of fun to be had with layering the Villains on top of what's already there. “The Villains take over” is the plot bunny for a hundred and two Disney fanfics (including part of my own Crowns of the Kingdom as well as my flight of fancy about the ultimate Disneyland-based video game), but few people (myself included) really explore the potential. Disney itself rarely goes farther than the odd Halloween event, wherein the takeover seems limited to a particular live entertainment location and is quickly defeated. I'm thinking it could be fun to examine the possibilities if the Villains really did take over Disneyland and parcel it out amongst themselves.

Actually, let's make that both parks, maybe even the entire Disneyland Resort. There are a lot of Villains, after all—even considering only those from the Disney Animated Canon—and one of their qualifying traits is that they don't play well with others. They need a lot of territory to avoid getting up in each other's business and fracturing the whole coalition.

For this bit of spitballing, I'll be deviating from my usual practice of examining the themed lands in map order: Main Street, Adventureland, etc. An awful lot here hinges on what goes on at the epicenter of Villain activity: Fantasyland.

As a final note before we dive in, Disney's last few movies have surprised audiences (or not, depending upon how shrewd they are as viewers...no comment on my end) with the identity of the real Villain. So SPOILER WARNINGS apply to the rest of this post!

Armchair Imagineering: Color Theory

If you've scrutinized a Disneyland map lately (and if you haven't, why not?), you've probably noticed that the themed lands are color-coded. Each land is assigned a different hue that is applied not only to the numbered circles that mark attraction locations, but the ground in the map image. Color-coding is one of those things that make me unreasonably happy, especially when it works out as neatly as this. I could not improve upon the Disneyland color map if I tried. Each assignment is eminently logical given the themes and motifs of the different areas, and none is repeated.

Here, this map is pretty current:

Main Street, USA is red, a color that brings to mind not only the American flag, but humble bricks, shiny fire engines, and the “red carpet treatment” that Disneyland promises to arriving guests.

Adventureland is green, for the lush jungle foliage.

New Orleans Square is purple, with all its complex associations. Purple is the color of luxury, of exoticism, of supernatural spookiness. It's also one of the principal colors of Mardi Gras.

Critter Country, an earthy sort of land, is an earthy brown—the color of tree bark and forest soil in addition to the fur of most critters.

Frontierland is the orange of raw copper, Southwestern sandstone, and those sunsets cowboys were always riding off into.

Fantasyland is pink, not just because it is arguably the girliest land (with all those Princesses and fairies), but because pink is a gentle, whimsical color. Sleeping Beauty Castle has been painted pink since well before the current onslaught of franchise branding.

Mickey's Tootown, on the other hand, is raucous, blaring yellow—the color of Mickey Mouse's shoes and taxicabs alike.

And finally, Tomorrowland is blue, a crisp, airy color that ranges from the pale tint of the sky through oceanic medium tones to the deepest navy of the outer atmosphere. It pairs well with utopian white and technological chrome.

It's all so spot on and tidy. I am giddy with delight. And it wouldn't work nearly as well without this exact roster of lands. Which leads me to the actual Armchair Imagineering portion of this post: So what about the ninth land? The one currently under construction and expected to open a couple years down the line?

That's right, readers...hold onto your jaws...I am about to speculate as to how to properly integrate the upcoming Star Wars area with the rest of the park...at least as far as the map design is concerned. Everyone loves to Armchair-Imagineer big-budget rides and elaborate shows, but somebody has to stand back here and look after the less glamorous aspects of updates to the park. You're welcome.

Imagineering Theory: Zootopia and Theme Flexibility

I cannot say enough good things about Disney's latest animated feature, Zootopia, now showing in a theater near you! But this is not a film blog. This is a theme park blog; hence my observations will mostly be limited to discussing the potential and actual impact of this completely excellent movie on the Disneyland Resort.

So far, Zootopia has been brought to the parks in the laziest and most predictable way possible: by situating fuzzies of the two main characters in Hollywood Land for photos and autographs. The motivation? To sell park-hopper tickets. The justification? Well, it's a movie, isn't it?

Please.

Apart from a blink-and-you-miss-it* joke about the pronunciation of “Tujunga,” there is nothing whatsoever tying Zootopia to California. But neither does it fit comfortably into any of the themed lands of Disneyland Park...or does it? This post is going to be a thought experiment on the flexibility of area themes and the need for creative solutions to potential mismatches. “Theme dilution” is a common pet peeve among Disney theme park fans, but the area themes have never been 100% pure, and as Disney's cinematic palette expands, it's only going to be more challenging for the Imagineers to successfully integrate movie-based attractions** with the limited selection of themed areas available.

To be clear, this entire post is completely speculative. I do not expect a permanent attraction based on Zootopia to be built in any park. (Actually, the film's setting would make for a fantastic basis for a theme park all on its own, but that's another topic.) The point of the exercise is that we have a wonderful movie, tearing up box-office records, taking place in a fantastic world that would be a blast to visit...and there's no obvious place to put it in Disney's parks.

So what about the non-obvious places?

Kidnap the Magic: Decorating for Christmas...Disneyland Style!

Thanksgiving* is only a few days away, if you can believe that. Once the dishes are cleared away, the Christmas season Officially Begins on a nationwide scale. Due to the increased prominence of online shopping (and a few high-profile tragedies engendered by the pressure-cooker atmosphere of certain “mega-sales”), Black Friday is starting to slide off its throne as the shopping day of the season...but a lot of people still like to take advantage of the day off to do their decorating.

And perhaps some of those people would like to decorate in the style of the Happiest Merriest Place on Earth. They could just drop a wad of dough on ornaments sold at the parks, but that wouldn't actually do the trick. Odd as it may seem, the fictional denizens of Disneyland do not decorate using real Disneyland merchandise. Our hypothetical people will need some pointers. Fortunately for those people, they live in a world that includes this blog.

This post is going to include general guidelines rather than step-by-step instructions. Disneyland's Christmas decorations are, as a rule, magnificent, and it's really inspiring to us crafty types to see how the various area themes intersect with holiday imagery and traditions. It would almost be missing the point to try recreating most of these uniquely designed items exactly, especially since they evolve over the years. So peruse, enjoy the photos, and get some awesome ideas for a Disneyland-flavored Christmas of your own!

The Second Sense: Area Music at Christmastime

I've snarked about Christmas Creep a couple of times on this blog, but I'll be honest: I enjoy the Christmas season. And the thing I like most about it is not getting presents or watching corny Christmas specials, but the atmosphere. The weather becomes delightfully chilly (not exactly cold, here in Southern California), sparkling decorations go up everywhere, and it seems like the only time of year when mainstream society accepts the idea of benevolent magic—philosophically, if not in fact.

And the music! I know I'm not alone in having familiar Christmas music wired directly to the nostalgia centers of my brain. Religious or secular, it doesn't matter (and this is coming from someone who hasn't identified as Christian for at least twenty years). The highly specific context in which this music is usually heard is what gives it its power to enthrall: Because it is Christmas music, when we hear it we are psychologically transported to that intersection of time (winter), space (shopping malls, Grandma's house, a gingerbread village) and attitude (peace on earth and goodwill toward all) that the holiday represents. They say smell is the most emotionally charged sense, but in my experience, hearing can do just fine under the right circumstances.

Disneyland is awesome with Christmas music.

The park is awesome with Christmas in general. As I've mentioned before, it's still a newbie at Halloween, but it's had a lock on Christmas since...well, since December of 1955. Christmas parades, Christmas carolers, Christmas character costumes, Christmas versions of standard attractions. And of course, Christmas music. Practically every part of the park has at least one music loop swapped out for a Christmas-themed one at the tail end of the year. This being a post in the category of The Second Sense, it will be my very great pleasure to take you on a tour of all of them, starting outside the gates of Disneyland proper.

Sentimental Paleontology: Our Musical Heritage of the Past

So Halloween is over now. You know what that means. Cue the army of mall Santas.

I'm not quite ready to go full eggnog myself. I want to try to ease into the Christmas-themed posts here, so I'll start tangential: What was the first attraction at Disneyland to be made over into an alternate version for the Christmas season? I guess in part it depends on what you mean by “alternate version of the attraction.” Specially designed Christmas parades at Disneyland go all the way back to 1957...but I wouldn't consider “the parade” to be an attraction per se. There have been many different parades in Disneyland's history, of which the Christmas ones are just a few. Our current iteration, A Christmas Fantasy, is not Soundsational! or any other “regular” parade with tinsel added to the floats; it has its own completely separate floats. So it's not an alternate version of the attraction so much as an alternate attraction.

But neither did seasonal attraction overlays begin during the much-maligned Pressler era. “it's a small world” was actually the second participant in a Disneyland tradition that goes back over thirty years—more than half the park's existence. So what was the first?

Just a little show in the back corner of the park called...the Country Bear Jamboree.

Armchair Imagineering: Halloweenland

Disneyland has been in the Halloween business for less than a decade.

Oh, sure, there were bits and pieces. We've gotten a few jack-o-lanterns on Main Street for as long as I can remember. Seasonal character plush has a long history, Halloween included.* Haunted Mansion Holiday—which is treated like a Halloween overlay, even though it really isn't one—started in 2001.

But the first big, park-wide Halloween blowout wasn't until 2006.

It's kind of ironic, because other area theme parks have been doing Halloween events for a lot longer. Universal Studios' Halloween Horror Nights and Six Flags Magic Mountain's Fright Fest both date back to the early Nineties, and the first instance of Knott's Scary Farm was in 1973. So why was Disneyland so late to the Dead Man's Party?

Because of image, basically. Theme parks are entertainment venues. “Halloween” plus “entertainment” usually amounts to the horror genre. There are many ways of doing horror, but none of them are usually considered “family-friendly,” and since that's what Disney trades on, a typical theme park Halloween experience—strobe lights and haunted mazes and “scare-acters” leaping out at people and loud rave music—was right out. It was all part of the dichotomy that held sway throughout the Eighties and Nineties, in which Disneyland was considered “tame” and safe for families with young children, while all the other parks positioned themselves as the hip, edgy, teen-oriented alternative. Disneyland didn't need a big to-do for Halloween—in the theme park realm, it had a virtual monopoly on Christmas.

All this is so much rambling. The upshot is that Disneyland has not really been doing Halloween in a large-scale way for very long. And if you ask me (which hopefully you do, since you're reading my blog), the Powers That Be haven't really mastered it yet. Halloween Time still has a ways to go before it's really polished to Disney-caliber perfection. The seasonal decorations and themes are too sporadic throughout the park. I really think the place could benefit from a systematic, land-by-land makeover during this time. There are many dimensions to Halloween in the current era—a park as diverse as Disneyland could indulge them all.

So without further ado, here is my vision of Halloweenland!